I got my start in the “media” biz as the publisher of a small monthly literary magazine based in the NoHo Arts District in the eary 90′s. NoHo is a section of North Hollywood in the San Fernando Valley, here in Los Angeles.
For those who are not familiar with L.A., the San Fernando Valley is “The Valley” as in Valley Girls and has served Hollywood as the quintessential suburb in film and tv. NoHo is the closest thing the Valley has to a bohemian neighborhood and is home to several small theaters. David Cox, a transplanted New Yorker who ran the American Renegade Theater came up with the idea of creating the NoHo Arts District, and he helped me create NoHo Magazine.
Given that live theater was such an important part of NoHo, I made theater reviews a central part of NoHo Magazine. My ambition was to publish reviews that could stand up as creative works unto themselves. Thanks to the contribution of a few talented writers, I think we succeeded.
Criticism as a literary form is well and good, but when it is done well, it can be brutal when it takes the form of a bad review. We didn’t just say such and such is a bad production. We pilloried it.
As the publisher, I stood behind and stood up for the writers. To be fair, I also published the letters we received from theater directors defending their work and lambasting the review. One of those directors was David Cox, and my editorial policy cost me a friend and supporter.
NoHo Magazine was very much a starving-artist endeavor. It was a disaster from a business standpoint, but it had a good 20-issue run from an editorial standpoint.
Since then, I have thought a lot about criticism and the creative process. Creation is difficult, risky and very personal. It takes a lot of courage to create something and then send it into a world that can be cruel and unforgiving. If I could do NoHo Magazine over again, I wouldn’t publish negative reviews. It does much more harm than good and the best thing is to simply ignore bad productions. It’s much better and healthier for the entire community to put energy into promoting the good stuff. Is that Pollyannish? Perhaps. I’m not saying the bad stuff should be papered-over or excused; I am simply saying that it is enough to ignore the bad (we are just talking about creative work here; of course there are other contexts in which the bad stuff has to be called out).
Here is my confession:
Because of my contrarian nature, I have little voices in my head that keep up a running commentary on EVERYTHING. They are constantly pointing out flaws, weaknesses, errors, conceits, ignorance, stupidity, greed, hypocrisy etc. You could be Jesus Christ incarnate, and I can find something about you that just doesn’t measure up.
This is a classic character defect, and it is something that I am trying to change. I am trying to do some counter-programming by thinking of gratitude whenever a negative voice speaks out.
It’s not easy and sometimes I slip. I apologize and I ask for compassion and forgiveness.